Inter

The Inter typeface family

The 21st century standard

Download ↓

Inter is a workhorse of a typeface carefully crafted & designed for a wide range of applications, from detailed user interfaces to marketing & signage. The Inter typeface family features over 2000 glyphs covering 147 languages. Weights ranges from a delicate thin 100 all the way up to a heavy 900. Each glyph has three dedicated designs for weights 100, 400 and 900 to ensure excellent quality at any weight. Optical size ranges from "text" to "display" and there is a true italic variant.

Inter is one of the world's most used typefaces with applications ranging from computer interfaces, advertising & airports, to NASA instrumentation & medical equipment.

The smaller "text" optical-size designs features a tall x-height to aid in legibility of lower-case text, with several contrast-enhancing details like ink traps and bridges. The larger "display" optical-size designs offers clean lines, smooth curves and delicate details for excellent rhythm of large text.

Many OpenType features are provided as well, including contextual alternates which adjusts punctuation depending on the shape of surrounding glyphs, slashed zero for when you need to disambiguate "0" from "o", tabular numbers, and much more.

ABCDEFGHIJKLMN
OPQRSTUVWXYZ
abcdefghijklm
nopqrstuvwxyz
0123456789 &→!

ABCDEFGHIJ
KLMNOPQRS
TUVWXYZ →
abcdefghijklm
nopqrstuvwxyz
0123456789&!

Usage

Using Inter is as easy as downloading & installing the font files.
If you're making a web thing, you can use the following HTML and CSS:

<!-- HTML in your document's head -->
<link rel="preconnect" href="https://rsms.me/">
<link rel="stylesheet" href="https://rsms.me/inter/inter.css">

/* CSS */
:root {
  font-family: Inter, sans-serif;
  font-feature-settings: 'liga' 1, 'calt' 1; /* fix for Chrome */
}
@supports (font-variation-settings: normal) {
  :root { font-family: InterVariable, sans-serif; }
}

Global CDN sponsored by Cloudflare

Free & open source

Inter is a free and open source font family.
You are free to use this font in almost any way imaginable.
Refer to the SIL Open Font License 1.1 for exact details on what the conditions and restrictions are.

Thin 100 Salient gazelle eyes ExtraLight 200 Internationalization Light 300 Millimeter waves Regular 400 Assimilation engine Medium 500 Botanica Francisco SemiBold 600 Spontaneous apes Bold 700 15 Mango Avenue ExtraBold 800 Comedy Morning Black 900 Hamburgefonstiv
Thin Italic 100 Inorganic compound ExtraLight Italic 200 Extravaganza Lime Light Italic 300 Rectangular ellipse Regular Italic 400 3 hours till midnight Medium Italic 500 Artificial Intelligence SemiBold Italic 600 Sulfur hexafluoride Bold Italic 700 Hospital helicopter ExtraBold Italic 800 Encyclopedia Abc Black Italic 900 United Martians
Thin 100 Chemistry is a physical science under natural sciences that covers the elements that make up matter ExtraLight 200 The aspect ratio of an image is the ratio of its width to its height, but you already knew that Light 300 Unlike a moka express, a napoletana does not use the pressure of steam to force the water through the coffee Regular 400 The Berlin key, also known as Schließzwangschlüssel, was not designed to make people laugh Medium 500 Stanley Kubrick was an American film director, screenwriter, and producer of many films SemiBold 600 Jet Propulsion Laboratory,
California Institute of Technology
Bold 700 The Sicilian Defense is a chess opening that begins with 1.e4 c5 ExtraBold 800 Padrón province of A Coruña, Galicia, northwestern Spain Black 900 Woven silk pyjamas exchanged for blue quartz crystals

Example text, Regular

One of the most famous lighthouses of antiquity, as I have already pointed out, was the pharos of Alexandria, which ancient writers included among the Seven Wonders of the World. It might naturally be supposed that the founder of so remarkable a monument of architectural skill would be well known; yet while Strabo and Pliny, Eusebius, Suidas, and Lucian ascribe its erection to Ptolemæus Philadelphus, the wisest and most benevolent of the Ptolemean kings of Egypt, by Tzetzes and Ammianus Marcellinus the honour is given to Cleopatra; and other authorities even attribute it to Alexander the Great.

All that can with certainty be affirmed is, that the architect was named Sostrates. Montfaucon, in his great work, endeavours to explain how it is that while we are thus informed as to the architect, we are so doubtful as to the founder, whom, for his part, he believes to have been Ptolemæus. Our ignorance, he says, is owing to the knavery of Sostrates. He wished to immortalize his name; a blameless wish, if at the same time he had not sought to suppress that of the founder, whose glory it was to have suggested the erection. For this purpose Sostrates devised a stratagem which proved successful; deep in the wall of the tower he cut the following inscription: “Sostrates of Cnidos, son of Dexiphanes, to the gods who Protect those who are upon the Sea.” But, mistrustful that King Ptolemæus would scarcely be satisfied with an inscription in which he was wholly ignored, he covered it with a light coat of cement, which he knew would not long endure the action of the atmosphere, and carved thereon the name of Ptolemæus. After a few years the cement and the name of the king disappeared, and revealed the inscription which gave all the glory to Sostrates.

Montfaucon, with genial credulity, adopts this anecdote as authentic, and adds: Pliny pretends that Ptolemæus, out of the modesty and greatness of his soul, desired the architect’s name to be engraved upon the tower, and no reference to himself to be made. But this statement is very dubious; it would have passed as incredible in those times, and even to-day would be regarded as an ill-understood act of magnanimity. We have never heard of any prince prohibiting the perpetuation of his name upon magnificent works designed for the public utility, or being content that the architect should usurp the entire honour.

To solve the difficulty, Champollion represents the pharos as constructed by Ptolemæus Soter. But, as Edrisi solemnly remarks, “God alone knows what is the truth.”

Much etymological erudition has been expended on the derivation of the word Pharos. As far as the Alexandrian light-tower is concerned, there can be no doubt that it was named from the islet on which it stood; yet Isidore asserts that the word came from φὼς, “light,” and ὁρἀν, “to see.” To quote again from Montfaucon: That numerous persons, who have not read the Greek authors, should exercise their ingenuity to no avail in the extraction of these etymologies, is far less surprising than that so good a scholar as Isaac Vossius should seek the origin of Pharos in the Greek language. From ϕαἰνειν, “to shine,” he says, comes ϕανερός, and from ϕανερός, ϕάρος.... But the island was called Pharos seven or eight hundred years before it possessed either tower or beacon-light.

The most reasonable conjecture seems to be that the word is a Hellenic form of Phrah, the Egyptian name of the sun, to whom the Alexandrian lighthouse would naturally be compared by wondering spectators, or dedicated by a devout prince.

At a later date we find the word applied to very different objects, though always retaining the signification of light or brilliancy. A pharos of fire—i.e., a ball or meteor—was seen, says Gregory of Tours, to issue from the church of St. Hilaire, and descend upon King Clovis. The same historian uses the word to describe a conflagration:—“They (the barbarians) set fire to the church of St. Hilaire, kindled a great pharos, and while the church was burning, pillaged the monastery.” The old French historian frequently employs the word in this sense, which leads us to suppose that in his time an incendiary was probably designated “a maker of pharoses” (un faiseur de phares). Still later, the term pharos was applied to certain machines in which a number of lamps or tapers were placed, as in a candelabrum. A modern French writer quotes from Anastasius the Librarian, that Pope Sylvester caused “a pharos of pure gold” to be constructed; and that Pope Adrian I. made one, “in the form of a cross,” capable of receiving one hundred and seventy candles or tapers. And Leon of Ostia, in his “Chronicle of Monte Cassino,” says, that the Abbot Didier had a pharos, or great silver crown, weighing one hundred pounds, constructed, which was surmounted by twelve little turrets, and from which were suspended six and thirty lamps.

Excerpt from “Lighthouses and Lightships”

Features

Inter comes with many OpenType features which can be used to tailor functionality and aesthetics to your specific needs. Some of these features can be combined to form a great number of alternative variations.

 

altG16I


Feature Off On
calt Contextual alternates

Depending on the surrounding context, different glyphs are used. Enabled by default

3x9  12:34  3+8+x
(SEMI)PER[M]ANE{N}T
-> --> ---> => ==> <->
S@N  s@n  :-)  Smile
3x9  12:34  3–8  +8+x
(SEMI)PER[M]ANE{N}T
-> --> ---> => ==> <->
S@N  s@n  :-)  •Smile

dlig Discretionary Ligatures

Disabled by default

Difficult affine fjord
after affine art interface
ff ffi fft ft fi tt tf df dt ff kf kt rf
rt vf vt wf wt yf yt ¡¿What?!
Difficult affine fjord
after affine art interface
ff ffi fft ft fi tt tf df dt ff kf kt rf
rt vf vt wf wt yf yt ¡¿What?!

tnum Tabular numbers

Fixed-width numbers are useful for tabular data, where comparing columns across rows is desired.

0.45, 0.91. +0.08
1.00; 9.44, −0.13
0:00. 1.13; ~7.12
0.45, 0.91. +0.08
1.00; 9.44, −0.13
0:00. 1.13; ~7.12

frac Fractions

Convert spans of numbers & forward slash into fractions

1/3  5/12  0123/456789
Approximately 6/16"
1/3  5/12  0123/456789
Approximately 6/16"

case Case alternates

Alternate glyphs that matches capital letters and numbers

(Hello) [World] {9000}
A@B  3 + 9 12 * 1 X
(Hello) [World] {9000}
A@B  3 + 9 ≈ 12 * 1 → X

ccmp Compositions

Custom-made glyphs for compositions. Enabled by default

j ̃  i ̀  į ́  j ̂  i ̄
Figure A⃝ #⃞ 3⃝ ×⃞
j̃  ì  į́  ĵ  ī
Figure A⃝ #⃞ 3⃝ ×⃞

sups Superscript ABC123abc (+)−[=]
ABC123abc (+)−[=]

subs Subscript ABC123abc (+)−[=]
ABC123abc (+)−[=]

sinf Scientific inferiors

Same as Subscript

H2O SF6 H2SO4
H2O SF6 H2SO4

dnom Denominators ABC1234567890
ABC1234567890

numr Numerators ABC1234567890
ABC1234567890

zero Slashed zero 0123
0123

ss01 Alternate digits 1234567890
1234567890

ss02 Disambiguation

Alternate glyph set that increases visual difference between similar-looking characters.

WP0ACO9XSI1012O9
Illegal busineß βeta
WP0ACO9XSI1012O9
Illegal busineß βeta

ss07 Square punctuation Hello, Mästare.!?
Hello, Mästare.!?

ss08 Square quotes Im not, uhm smol
I’m not, uhm “smol”

ss03 Round quotes & comma Im not, uhm smol
I’m not, uhm “smol”

ss05 Characters in circles ABC123+→
ABC123+→

ss06 Characters in squares ABC123+→
ABC123+→

cvXX Character variants 1234567890 1234567890 Alternative digits cv01 Alternate one
cv09 Flat-top three
cv02 Open four
cv03 Open six
cv04 Open nine
zero Slashed zero

Guillable ürá Guillable ürá Character variants is a mood cv10 Capital G with spur
cv06 Simplified u
cv11 Single-story a

Efficient after Efficient after Give it a compact character cv12 Compact f
cv13 Compact t

010.2*364+8(2).5
−51,67×8÷91{0}:1
010.2*364−8(2).5
+51,67×8÷91{0}:1
123.4567890[1],3 Tabular figures are excellent for tables of numeric data. tnum enables an entire set of dedicated glyphs that have the same width across all weights. tnum Tabular figures
Illusion A03 Illusion A03 Disambiguate between similar-looking characters with ss02 or individual character variants ss02 Disambiguation, or
cv08 Upper-case i with serif
cv05 Lower-case L with tail
zero Slashed zero

It’s “fun” here, Möbius It’s “fun” here, Möbius It’s “fun” here, Möbius Add a little personality to titles ss03 Round quotes & commas
ss07 Square punctuation
ss08 Square quotes

Listing of all features
aalt Access All Alternates
c2sc Small Capitals From Capitals
calt Contextual Alternates
case Case-Sensitive Forms
ccmp Glyph Composition/Decomposition
cpsp Capital Spacing
cv01 Alternate one
cv02 Open four
cv03 Open six
cv04 Open nine
cv05 Lower-case L with tail
cv06 Simplified u
cv07 Alternate German double s
cv08 Upper-case i with serif
cv09 Flat-top three
cv10 Capital G with spur
cv11 Single-story a
cv12 Compact f
cv13 Compact t
dlig Discretionary Ligatures
dnom Denominators
frac Fractions
locl Localized Forms
numr Numerators
ordn Ordinals
pnum Proportional Figures
salt Stylistic Alternates
sinf Scientific Inferiors
smcp Small Capitals (limited)
ss01 Open digits
ss02 Disambiguation (with zero)
ss03 Round quotes & commas
ss04 Disambiguation (no zero)
ss05 Circled characters
ss06 Squared characters
ss07 Square punctuation
ss08 Square quotes
subs Subscript
sups Superscript
tnum Tabular Figures
zero Slashed Zero

Glyphs

Optical size
A
U+0041
A
A
A Ä Ã À Á  ŠǺ Ā Ă Ą Ǎ Ǟ Ǡ Ȁ Ȃ Ȧ Α Ά Ⱥ А Ӑ Ӓ Λ Æ Ǣ Ǽ Ӕ B Ƀ Ɓ В Β C Ƈ Ç Ć Ĉ Ċ Č Ȼ Ɔ Ϲ D Ɗ Ď Ɖ Dz Dž E È É Ê Ë Ē Ĕ Ė Ę Ě Ȅ Ȇ Ȩ Ɇ Ǝ Ε Έ Е Ѐ Ё Ӗ F Ƒ G Ǥ Ɠ Ĝ Ğ Ġ Ģ Ǧ Ǵ H Ĥ Ȟ Ħ Ӈ Ң Ӊ Ҥ Ƕ Η Ή Н I Ï Ɨ Ì Í Î Ĩ Ī Ĭ Į İ Ǐ Ȉ Ȋ Ɩ Ι Ί Ϊ Ἷ І Ї J Ĵ Ɉ Ϳ Ј K Ķ Ǩ Ҡ Қ Ƙ Κ L Ĺ Ļ Ľ Ł Ƚ Lj M Ӎ Μ Ϻ М N Ñ Ń Ņ Ň Ǹ Ɲ Ŋ И Ѝ Й Ӣ Ӥ Ҋ Ͷ Ν Nj O Ö Õ Ø Ơ Ò Ó Ô Ō Ŏ Ő Ǒ Ǫ Ǭ Ȍ Ȏ Ȫ Ȭ Ȯ Ȱ Ǿ Ο Ό ϴ О Ӧ Ɵ Ө Ӫ Œ P Ҏ Ƥ Ρ Q Ɋ R Ŕ Ŗ Ř Ȑ Ȓ Ɍ S Ś Ŝ Ş Š Ș Ѕ Ƨ T Ţ Ť Ț Ƭ Ʈ Ⱦ Τ U Ư Ù Ú Û Ü Ũ Ū Ŭ Ů Ű Ų Ǔ Ǖ Ǘ Ǚ Ǜ Ȕ Ȗ Ʉ V W Ŵ X Ҳ Ӽ Χ Y Ƴ Ý Ŷ Ÿ Ȳ Ɏ Υ Ύ Ϋ Z Ź Ż Ž Ȥ Ƶ Ζ Ɀ a á ă ǎ â ȁ ä ǟ ȧ ǡ à ȃ ā ą å ǻ ã ɐ а ӑ ӓ æ ǣ ǽ ӕ b ƀ ƃ ɓ þ c ȼ ƈ ç ć ĉ ċ č ϲ с d đ ɖ ɗ ƌ ȡ ď dz ʣ dž ʤ e ë ɇ è é ê ē ĕ ė ę ě ȅ ȇ ȩ ế е ѐ ё ӗ ǝ f ſ ʩ g ɠ ǥ ĝ ğ ġ ģ ǧ ǵ ɢ h ћ ђ ɦ ɧ ƕ ɥ ʮ ʯ ħ ĥ ȟ һ i ı ï ĩ ɨ ì í î ī ĭ į ǐ ȉ ȋ ȷ ɟ ɉ і ї ij j ʝ ĵ ǰ ϳ ј lj k ƙ ķ ǩ ʞ l ł ƚ ɫ ɭ ɬ ȴ ŀ ĺ ļ ľ ӏ m ɱ ɯ ɰ ḿ n ñ ɳ ŋ ȵ ɲ ƞ ń ņ ň ǹ nj o ö õ ø ơ ò ó ô ō ŏ ő ǒ ǫ ǭ ȍ ȏ ȫ ȭ ȯ ȱ ǿ ο ό ѳ ɵ о ӧ œ ѹ p ҏ ƥ р q ʠ ɋ r ɍ ɹ ɻ ɿ ɾ ŕ ŗ ř ȑ ȓ s ʂ ȿ ś ŝ ş š ș ѕ ƨ ß t ƫ ʈ ȶ ʨ ʇ ŧ ţ ť ț u ü ũ ư µ ʉ ù ú û ū ŭ ů ű ų ǔ ǖ ǘ ǚ ǜ ȕ ȗ  v ʌ ṿ w ʍ ŵ x х χ y ÿ ƴ ɏ ý ŷ ȳ у ў ӯ ӱ ӳ ʎ Ӯ Ӱ Ӳ z ƶ ȥ ɀ ʐ ź ż ž Þ Γ Δ Θ Ξ Π Σ Φ Ψ Ω Ώ Ʊ ϒ ϓ ϔ Ɣ Б Ґ Ӻ Д Ж Җ З К Ҝ Ӄ Л Ѳ Џ У Ф Ц Ҵ Ч Ҷ Ҹ Һ Ћ Ш Щ Ъ Ы Ь Љ Њ Э Ю Я Ҕ Ҧ Є Ҩ Ҽ Ә Ӡ Ѵ Ђ ð α ά β γ δ ε έ ʚ ɛ ɜ ɞ ɝ ζ η ή θ ι ΐ ί ϊ λ ξ π ρ ϼ ς σ τ υ ΰ ϋ ύ φ ϕ ψ ω ώ ɣ б в г ґ ӻ д ж җ з и ҋ к ӄ қ ҝ ҡ л ӆ ԯ м ӎ н ң ҥ ӈ ӊ п т ф ӽ ҳ ц џ ч ҷ ҹ ш щ ь ъ ы ҍ ѣ љ њ э ю я ҕ ҧ є ҩ ҵ ҽ ӡ ѵ $ ¢ ¥ £ ƒ ฿ 0 1 2 ƻ 3 4 5 Ƽ 6 7 8 9 & ! ¡ ? ¿ ( ) [ ] { } @ # ¤ / | ¦ \ - ' " ʹ ʺ , . : ; · · ; « » < > = + × ÷ ± ~ ¬ ^ * ® © 🄯 🅫 🅪 ° ª º § ʰ ʲ ˡ ʳ ˢ ʷ ˣ ʸ ¹ ² ³ ½ ¼ ¾ % ´ ˝ ` ΄ ¨ ˆ ˜ ¯ ˘ ˙ ˚ ˇ ΅ ¸ ˛ ́ ̀ ̏ ̄ ̃ ̣ ̦ ʘ 🡐 🡒 🄰 🄱 🄲 🄳 🄴 🄵 🄶 🄷 🄸 🄹 🄺 🄻 🄼 🄽 🄾 🄿 🅀 🅁 🅂 🅃 🅄 🅅 🅆 🅇 🅈 🅉  Ƃ DZ Ð Đ Ƌ Ɛ Ʃ Ə Ʒ Ǯ Ƹ Ȝ IJ LJ Ŀ NJ Ƣ Ŧ Ƅ Ʋ Ʀ Ɯ Ƿ Ƞ Ȣ Ɂ Ʌ ɑ ɒ ɤ ʗ ƍ ɘ ʃ ʆ ƪ ə ɚ ʒ ǯ ʓ ƹ ƺ ʪ ʭ ɡ ʔ ʡ ƾ ʢ ʖ ʕ ȝ ʄ ĸ ƛ ɮ ƣ ɷ ɔ ɸ ɺ ʧ ƭ ƽ ƅ ʦ ȣ ȸ ȹ ɂ ʙ ʫ ʬ ỿ ʊ ʋ ƿ ʜ ʶ ʵ ʱ ʴ ǃ ǀ ǁ ǂ Г Ѓ Ӷ Ғ Ќ П Р С Т Ў Х Ѡ Ѣ Ѥ Ѧ Ѩ Ѫ Ѭ Ѯ Ѱ Ѷ Ѹ Ҙ Ҫ Ҭ Ү Ұ Ҿ Ӏ Ӂ Ӆ Ӌ Ӛ Ӝ Ӟ Ӭ Ӵ Ӹ Ӿ Ҁ Ҍ ѓ ӷ ғ й ѝ ќ ѡ ѥ ѧ ѩ ѫ ѭ ѯ ѱ ѷ ҙ ҫ ҭ ү ұ ҿ ӂ ӌ ә ӛ ӝ ӟ ӣ ӥ ө ӫ ӭ ӵ ӹ ӿ ҁ Ϝ Ϗ Ͻ Ͼ Ͽ κ μ ν ͻ ͼ ͽ ϝ ϗ ϐ ϑ ϖ ϰ ϱ ϵ ͺ ᶿ ˠ ҂ ʹ ͵ ϶ ˅ ˂ ˃ ˄ ˕ ˯ ˗ ˖ ˸ ˓ ˒ ˬ ˭ ˰ ˱ ˲ ˳ ˴ ˵ ˶ ˷ ˹ ˺ ˻ ˼ ˽ ˾ ˿ ˔ ˥ ˩ ˦ ˨ ˧ ˟ ˞ ˤ ͣ ͤ ͥ ͦ ͧ ͨ ͩ ͪ ͫ ͬ ͭ ͮ ͯ ҈ ҉ ҃ ҄ ҅ ҆ ҇ ͂ ̓ ᾿ ̈ ̇ ̂ ̌ ̆ ̊ ̉ ̓ ̕ ̛ ̧ ̨ ̬ ̷ ̸ ͆ ͇ ͈ ͉ ͊ ͋ ͌ ͍ ͎ ͐ ͑ ͒ ͓ ͔ ͕ ͖ ͗ ͘ ͙ ͚ ͛ ͜ ͝ ͞ ͟ ͠ ͡ ͢ ᷿  ˉ ˊ ˋ ˪ ˫ ˏ ˑ ː ʽ ʻ ˀ ˁ ˎ ˈ ˍ ʿ ʾ ˌ ⷿ

Language support

Inter currently covers 147 scripts

Latin

Afrikaans
Aghem
Akan
Albanian
Asturian
Asu
Bafia
Basaa
Basque
Bemba
Bena
Breton
Catalan
Chiga
Colognian
Cornish
Croatian
Czech
Danish
Duala
Dutch
Elfdalian
Embu
English
Esperanto
Estonian
Ewe
Ewondo
Faroese
Filipino
Finnish
French
Friulian
Fulah
Galician
Ganda
German
Gusii
Hawaiian
Hungarian
Icelandic
Igbo
Inari Sami
Indonesian
Irish
Italian
Jola-Fonyi
Kabuverdianu
Kabyle
Kako
Kalaallisut
Kalenjin
Kamba
Kikuyu
Kinyarwanda
Koyra Chiini
Koyraboro Senni
Kwasio
Lakota
Langi
Latvian
Lingala
Lithuanian
Lower Sorbian
Luba-Katanga
Luo
Luxembourgish
Luyia
Machame
Makhuwa-Meetto
Makonde
Malagasy
Maltese
Manx
Māori
Masai
Meru
Metaʼ
Morisyen
Mundang
Nama
Ngiemboon
Ngomba
North Ndebele
Northern Sami
Norwegian Bokmål
Norwegian Nynorsk
Nuer
Nyankole
Oromo
Polish
Portuguese
Prussian
Quechua
Romanian
Romansh
Rombo
Rundi
Rwa
Samburu
Sango
Sangu
Scottish Gaelic
Sena
Serbian
Shambala
Shona
Slovak
Slovenian
Soga
Somali
Spanish
Swahili
Swedish
Swiss German
Tachelhit
Taita
Tasawaq
Teso
Tongan
Turkish
Upper Sorbian
Uzbek
Vai
Vietnamese
Volapük
Vunjo
Walser
Welsh
Western Frisian
Yangben
Yoruba
Zarma
Zulu

Greek

Greek

Cyrillic

Azerbaijani
Belarusian
Bosnian
Bulgarian
Chechen
Macedonian
Ossetic
Russian
Sakha
Serbian
Ukrainian
Uzbek

Greek

ΑΒΓΔΕΖΗΘΙΚΛΜΝ
ΞΟΠΡΣΤΥΦΧΨΩ
αβγδεζηθικλμνξ
οπρςστυφχψω



Cyrillic

АБВГДЕЁЖЗИЙКЛ
МНОПРСТУФХЧЦ
ШЩЬЪЫЭЮЯабвг
деёжзийклмнопрс
туфхчцшщьъыэюя

Frequently Asked Questions

How do I enable and disable font features?

In web browsers you can use font-feature-settings. In Figma you can access features via the Advanced Type panel. In Illustrator, Photoshop and friends, you can access features via the Characters and OpenType panels. Sketch doesn’t provide a UI for configuring font features, but there’s a workaround using macOS’s native font UI.

How reliable are the fonts served from rsms.me/inter?

https://rsms.me/inter/inter.css and the Inter font files are distributed globally over CloudFlare’s CDN. This is very reliable and fast by automatically serving the fonts from a server near your users, minimizing the latency of your web pages.

How do I subset the font files?

Have a look at pyftsubset

Can I change what OpenType features are enabled by default?

Have a look at OpenType Feature Freezer. It allows you to customize fonts with certain OpenType features “on by default.”

Can I help with improving Inter?

Yes you can! Inter is an open-source project, meaning the source code—or “source design” if you will—that is used to build the font files are freely available to improve upon. Font making requires a fair bit of technical work and depending on what you’d like to do, some things might be more fun depending on your technical skills. The “Contributing” document is a great place to start. This document outlines where you can have the biggest impact, how things are setup and how to get started.

I've made a cool thing that uses Inter

Share what you’ve made in “Show and Tell”

Where can I report technical problems with Inter?

Please submit a bug report on GitHub

I have a question, where can I get help?

Start by searching issues & discussions for an answer. If that didn’t help, ask your question in the “Q&A” forum.

This website claims work started in 2016, but the git repository's log says it started later?

Inter was developed in a private, internal git repository starting in November 2016, prior to being published on August 22, 2017. Between November 2016 and August 2017, there were 2,990,150 line edits made across 247 versions.

I miss something from the old website

Have a pleasant surf on a snapshot of the old version 3 website

What are the technical details of Inter?

UPM: 2048
Variable axis opsz [14–32]
Variable axis wght [100–900]
Constant axis ital [0, 9.4°]
Style classification: Sans-serif, Grotesk
x-height, opsz=14: 1118 UPM
x-height, opsz=32: 1056 UPM
Cap height: 1490 UPM
Ascender: 1984 UPM
Descender: -494 UPM
Vendor ID: RSMS